Humphrey Jennings and British Documentary Film: A Re-assessment
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Chibnall, Steve and Robert Murphy eds. Dixon, Wheeler Winston ed. Friedman, Lester ed.
Humphrey Jennings and British Documentary Film: A Re-assessment - Philip C. Logan - Google книги
Higson, Andrew ed. See the library reading list for this module Canterbury. On successfully completing the module students will be able to: - demonstrate a sound knowledge of the history of film production, distribution and exhibition in Britain from its beginnings in to the present; - acquire an understanding of these films in their relation to the changing political, historical and cultural climate in twentieth century Britain; - acquired a critical awareness of the proliferation of literature on the aesthetic and social significance of British cinema; - acquired a critical understanding of the cinema's centrality to developing conceptions of realist representation and the construction of a national identity in twentieth century Britain.
Sorry, this module is not currently running in Pre-requisites None. Restrictions None. Overview Details Method of assessment Indicative reading Learning outcomes. Mass Observer, Surrealist, patriot, historian, and maker of exquisitely observed documentary films, he appears perhaps too neatly to channel the complex artistic, cultural, and political sensibilities of the s generation.
The everyday sinew and contradictions of life in modern Britain, which Orwell pinpointed in prose, Jennings captured on celluloid. Philip C. Logan's Humphrey Jennings and British Documentary Film: A Re-Assessment is built upon the premise that the magpie nature of Jennings' various activities needs to be considered cumulatively; that his multi-media dabblings coalesce into an aesthetically coherent and culturally important whole. Although the bulk of the book is concerned with the period —50, Logan tries to avoid focusing disproportionately on the trio of films Listen to Most users should sign in with their email address.
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